In one interesting feature, Activision introduced a feature EA would frequently incorporate years later. Being able to step off your board and walk around wasn't engaging, and driving vehicles around didn't add anything to the experience. The skating was as solid as ever, but this is where Neversoft seemed to run out of new ideas that improved the experience.
While few will claim Underground is a bad game, many point to it as the entry that started the decline of the series. Despite its solid gameplay, Project 8 also featured some of the lamest unlockable characters in Jason Lee and Blink 182's Travis Barker.
You could complete a grind-based objective by going the minimum required distance, or you could try to knock it out of the park with a Sick score. Objectives often had three possible ways to win: AM (amateur), Pro, and Sick. Project 8 stands as the best current-gen Tony Hawk, with an emphasis on classic gameplay, an interesting and large game world, and significantly improved graphics. By not tampering with the controls too much, Neversoft made American Wasteland a passable current-gen debut for the series. Despite these bland areas, the actual skating gameplay proved to be enjoyable. Load times were a non-issue, but many areas were separated by sparsely-populated corridors. This entry went a different route, with one gigantic streaming version of Los Angeles.
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In a series that's all about stringing combos together and racking up huge scores, pausing the action to adjust ramps and rails felt jarring and unnecessary.Įvery previous Tony Hawk game prior to American Wasteland featured completely separate levels. Proving Ground attempted to incorporate a create-a-park mode during actual gameplay, and the result left something to be desired. Most of the games on this list have some kind of hook, gimmick, or new gameplay mechanic that separates it from the rest of the series. Considering the game focuses more on juvenile humor and MTV personalities than solid gameplay, this entry turned off many fans. The sub-par objectives frequently involved non-skateboard modes of transportation such as Jesse James' Segway-like chopper and a crippled kid's wheelchair.
Playable characters included the MTV show's Bam and Phil Margera, Wee Man, and Steve-O, and the story featured painfully unfunny attempts at humor. While the first Underground stuck with most of the elements that made the series a success, Underground 2 felt like it was trying way too hard to be Jackass Skateboarding. This departure combined with the unresponsive motion controls made it one of most thorougly unenjoyable games in the series. This Wii launch title ditched that approach, opting to include downhill races exclusively. Whether you were searching for S-K-A-T-E levels or looking for bums to ollie over, there was something fun about discovering what each level had to offer. One element of the series that gamers loved was its open environments that encouraged exploration. Its sloppy controls required so little skill that even bulldogs could enjoy it. Its ridiculous board peripheral turned what used to be a fast-paced test of hand-eye coordination into a chore. Tony Hawk Ride and Shred made sure that fans of the series were deprived of even the slightest semblance of this feeling. Sure, you could have fun just dorking around and grinding on rails, but the addiction set in when you were trying to top your previous high score with an insane combo. Read on to see how we rank the Tony Hawk series from worst to best.Īs I mentioned in the intro, part of what made the Tony Hawk series so appealing to gamers was the focus on skill. With the highly-anticipated Tony Hawk's Pro Skater HD coming later this year, we decided to take a look at the highs and lows of the long-running series. The series' addictive, highly skill-based gameplay and wacky sense of humor kept it relevant for several years, before eventually falling in the eyes of critics and fans. Few extreme sport games have found mass appeal beyond their built-in fanbase, but Tony Hawk's Pro Skater struck a chord with gamers of all types when it released in 1999. Long before Call of Duty and Guitar Hero became cultural phenomenons with annual installments, Activision found major success in an unlikely place.
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